In their introduction to this volume, Farris and Anson argue that, faced with a welter of competing models, compositionists too quickly dichotomize and dismiss.

As such, the book should be essential reading for academics, researchers and students from the fields of museum and design studies.

This extensively-revised second edition contains an updated introduction and bibliography. This volume will continue to have far-reaching implications for educational theory and practice.

An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators.

The book introduces students to the research approaches used most often and offers a course framework for professors creating or teaching research courses themselves.

This book traces the evolution of the growing and everchanging field of composition/rhetoric through numerous schools of thought, including Platonism, Aristoteleanism, New Criticism, and the modern poststructuralism.

A comprehensive look at the work of Jheronimus Bosch, published to coincide with the 5th centenary of the artist's death and in conjunction with an exhibition at the Museo del Prado