One of the themes that the modern Mexican artists like Artemio Rodriguez continue to explore is that of the religious art. Virgen de Guadalupe impression is made using the linoleum cut by Artemio Rodriguez in 1998. The original artwork is 22 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
"Innocent Creatures," series by Artemio Rodriguez continues to demonstrate the plasticity of artistic expression of this talented contemporary artist. Posada's imagery undoubtedly continues to play an important role in this inspiration.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artemio Rodríguez's "Campesino" or "Farmer," is a linocut on Arches paper completed in 2001. The work is 18 1/4 inches by 14 inches; the edited image shown is 11 inches by 11 inches.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artemio Rodriguez is a versatile artist, known for his linocuts, here is a painting that is done in ink.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Innocent Creatures series depicts animals of different types.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada (Mexican, 1851–1913)? or perhaps an unkown artist.
On May 25, 1911, Mexico's President Diaz forced to resign as rebels win Mexican Revolution. This broadsheet depicts a farewell poem as well as the image of General Porfirio Díaz.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.?
José Guadalupe Posada (Mexican, 1851–1913).
Posada, who through his graphic work represented with a festive, joyful and caustic vision the popular collective imagination of Mexicans, often focused on the depiction of Calaveras or skulls.
This broadsheet depicts a skull of a movie-maker.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913)
This is a broadsheet that depicts the La Calavera Catrina or Catrina La Calavera Garbancera. It is made from a 1910–1913 zinc etching by the Mexican printmaker, cartoon illustrator and lithographer José Guadalupe Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
The series, "Innocent Creatures" by Artemio Rodriguez also incorporates mythical creatures.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada (Mexican, 1851–1913)
La Poblanita songbook illustration was designed by Posada. The year of publication is not evident on both the title and cover-pages of this booklet. The songbook has 16 pages.
Source: http://ipm.literaturaspopulares.org/%C3%8Dndice:LPAnho.djvu.
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913).
Stanford Curator of Latin Americana, Adan Griego writes, "Posada lived through the almost uninterrupted 30 years of the Porfirio Diaz dictatorship or porfiriato and his calavera images became the venue to satirize the excesses of Mexican bourgeois society. French artist Jean Charlot encountered Posada’s work while visiting Mexican muralist Diego Rivera in the 1920s and is credited with providing a wider audience for the satirical artist."
The source of this image is Stanford Library.
http://library.stanford.edu/blogs/stanford-libraries-blog/2017/10/jose-guadalupe-posada-dia-de-muertos
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913). This broadsheet depicts the image of the Virgin of Guadalupe that surrounded by the leaves of the maguey agave. The bottom half of this broadsheet shows a sort of farewell hymn that pilgrims are supposed to chant while visiting and then leaving the church (Tierno despedimento que hacen los visitantes...).
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Colección de canciones modernas para año 1892.
Vanegas Arroyo typography released each year a songbook of modern songs. This songbook for the year 1892 depicts on its cover a character named Elena. This songbook is produced using the photo-relief and letterpress method. Printed in red and black on tan paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers (Source: https://www.metmuseum.org/art/collection/search/738082).
Photo-relief and letterpress in red and black ink on tan paper.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist:
José Guadalupe Posada (Mexican, 1851–1913)
A cover of a songbook for the year 1895. The cover shows an Asian woman who is holding a traditional fan (el abanico).
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
The cover of a songbook for the year 1894 depicts a lady who is dancing. Her name is printed as "Serpentina".
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist:José Guadalupe Posada (Mexican, 1851–1913).
Adios a Mexico 35 Colección de canciones modernas para 1895.
Fair academic use only.
Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
The cover for this 16-page chapbook containing recipes for Mexican desserts presents a man wearing an apron, making sweets in a kitchen.
Zinc etching. Signed.
Chapbooks, Mexican; Mexico wit and humor, Pictorial.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Cover for 'Coleccion de Cartas Amorosas Cuaderno. The cover depicts a couple that is embracing.
Photo-relief and letterpress on off-white paper.
The image source: http://museoblaisten.com/Obra/2468/Coleccion-Cartas-Amorosas
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Photo-relief and letterpress on green paper.
Series: colección de cartas amorosas.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913)
Broadside shows a male skeleton dressed in a charro outfit wielding a machete in a graveyard, apparently in the process of creating more skeletons--a crowd of skeletons surrounds him and skulls lie at his feet. The text block is decorated with four small skulls.
(Source: Library of Congress-https://www.loc.gov/pictures/resource/ppmsc.03450/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
In 2002-2003, Artemio Rodriguez reinterpreted an original 1939 painting by Frida Kahlo that was entitled, "Las dos Fridas."
This painting was completed shortly after her divorce with Diego Rivera. This portrait shows Frida's two different personalities. One is the traditional Frida in Tehuana costume, with a broken heart, sitting next to an independent, modern-dressed Frida.
"Innocent Creatures" was a series that was envisioned by Artemio Rodriguez in 2003. There were several linocuts that were produced to this end. Some of these depict mythological creatures.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913),
Photo-relief and letterpress printed on orange paper.
Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm).
Description source: https://www.metmuseum.org/art/collection/search/738091
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Wood engraving.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Photo-relief and letterpress on beige paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913)
A chapbook printed using the letterpress on a green paper. Signed.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress on beige paper.
Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm)
"Estos librillos, publicados en la imprenta de Antonio Vanegas Arroyo, fueron escritos por Constancio S. Suárez e ilustrados por José Guadalupe Posada. Contenían historias de amor imposible, platónico, complicado o correspondido. El texto era sencillo y breve para atrapar a los lectores, quienes para conocer el desenlace de una historia tenían que comprar el siguiente número; una práctica común entre los editores."
Source: https://www.gob.mx/agn/articulos/coleccion-de-cartas-amorosas-la-representacion-del-amor-a-principios-del-siglo-xx?idiom=es
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress on off-white paper.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
The king and his three sons is a story that was illustrated by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress printed on beige/off-white paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
A chapbook printed on natural ground wood paper: relief etching, with text in letterpress; 15.2 x 10.3 cm. (sheet).
Summary: Chapbook cover shows a scene from a play: a couple embraces at the center as two women and a man look on. All wear the costume of the Renaissance. The script involves the pure love between a beast and a woman. After declaring their love for each other, the beast is transformed into a prince and marries the woman. (Source description:
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
A chapbook on natural ground wood paper: relief etching, with text in letterpress; 15.2 x 10.3 cm. (sheet).
Summary: Chapbook cover shows scene from a play: a man dressed in the costume of the Renaissance holds a rose. He reacts with surprise as he encounters a beast in a garden. The script concerns the travels of a Marquis who leaves his daughters at home. While on his trip he enters a desolate palace with a beautiful garden. He cuts a rose from the garden to find out that it is guarded by a beast. One of the Marquis' daughters comes to the garden to confront the beast. Part one ends here. (Source of description: http://www.loc.gov/pictures/item/99615859/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galería del Teatro Infantil
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
A chapbook on natural ground wood paper: relief etching, with text in letterpress; 15.4 x 10.8 cm. (sheet).
Summary: Chapbook cover shows a scene from a play: a woman wearing a shawl makes amorous advances towards a bullfighter dressed in full regalia; a bullfighting stadium is in the background. The script concerns a love triangle between Luisa and two bullfighters, Luís and Roberto. (Source: http://www.loc.gov/pictures/item/99615861/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
Medium: Photo-relief and letterpress in brown ink on tan paper
Dimensions: Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm) .
(Source: https://www.metmuseum.org/art/collection/search/737967)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
A chapbook published using the letterpress on a beige paper.
A young man in uniform with cap raised and holding a flag, standing in a field with two dead soldiers. Apparently referring to the marines of Chapultepec?
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: Artemio Rodriguez, Pátzcuaro.
One way to promote art is through illustrating through different media. Artemio Rodriguez transports his skills of linocut by illustrating a vintage classic car.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
The chapbook is entitled, "Blanca nieve y los siete enanos = Snowhite and the seven dwarfs."
Signed by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
A chapbook printed on a beige paper in red color.
Signed by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Shows Francisco I. Madero riding on the horse. With Zapata standing by his side holding the flag of Mexico. It belongs to the broadsheets category of Posada's print.
Francisco Madero rose to become the most popular contender to the presidency of Porfirio Díaz. As the 1910 elections drew near, Díaz imprisoned Madero and won re-election for his eighth term. Following the election Madero escaped from prison and fled to Texas where he plotted a revolution. In early 1911 he re-entered Mexico at Ciudad Juárez, took command of the revolutionary armies, and swiftly progressed in a grand march across Mexico. His triumphal entry into the capital was celebrated with vigorous exaltation.
Image source: https://www.ebay.com/itm/Jose-Guadalupe-Posada-Original-Engraving-GRAN-MARCHA-TRIUNFAL-/153160148194
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913).
The image to the left is the way Posada's workshop looked about 1899. It is one of two photo images we have of the artist. Posada is on the right and it is generally agreed that the young man is Posada's son Juan Sabino Posada Vela who died in 1900. In our search for Posada we now believe that we know the identity of the third person in the photo. In the image below we see historians Agustín Sánchez González and Helia Emma Bonilla Reyna in front of the workshop as it is today. It is about three blocks from Mexico City's zocolo.
Source: Posada Art Foundation, San Francisco.
https://curator-jgposada.blogspot.com/2013/02/searching-for-posada-his-workshop-on.html
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
The Posada Art Foundation, San Francisco, California.
Artist: Artemio Rodriguez (1972-)
Title: Somos parte (1994)
Linocut, 18 x 15 cm.
This particular piece acquires special significance in light of the current Presidential directive of construing the wall. What does an American dream mean? Artemio interrogates the complex realities of many undocumented workers who basically go through a series of trials to cross the border in search of the elusive dream. American dream as an idea has attracted not only the migrants from Latin America, but also from the rest of the world.
edition 36/40, pencil signed and dated lower right, titled center margin
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Author Funes, Ofelia A.
Title Catalogación de la obra de José Guadalupe Posada perteneciente al patrimonio del Museo Nacional del Grabado / Ofelia A. Funes, Inés Pérez Hiriart.
Published [Buenos Aires] : Dirección Nacional de Patrimonio Cultural, Secretaría de Cultura, Presidencia de la Nación, [1999?]
Main (Gardner) Stacks
NE546.P6 A4 1999
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada : 150 años = José Guadalupe Posada : 150 years
Author: José Guadalupe Posada; Artemio Rodríguez; Julie Logan; Silvia Capistrán
Publisher: Los Angeles, Ca. : La mano Press ; México : Editorial RM, 2003.
Series: Art history, México, bilingüal =Historia del arte, México, bilingüe.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: Artemio Rodriguez, Pátzcuaro. One way to promote art is through illustrating through different media. Artemio Rodriguez transports his skills of linocut by illustrating a vintage classic car. Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: El bandido: coleccion de canciones para 1895.
Cuadernillos (chapbooks), chiefly published by the press of Antonio Vanegas Arroyo. Since Manilla passed away in 1895, it is difficult to attribute this engraving to him.
Posted under section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Title Funny bones : Posada and his Day of the Dead calaveras / Duncan Tonatiuh.
Published New York : Abrams Books for Young Readers, 2015.
Main (Gardner) Stacks
NE546.P6 T65 2015
Editor's comments: " Funny Bones tells the story of how the amusing calaveras--skeletons performing various everyday or festive activities--came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852-1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico's Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe's, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author's note, bibliography, glossary, and index."
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Antonio Vanegas Arroyo (1850?-1917) ran a printing house that issued a series of small theatrical works which were put in his Galería de Teatro Infantil. Some of his publications were illustrated by José Guadalupe Posada. (Source: https://oac.cdlib.org/findaid/ark:/13030/kt4t1nb894/)
The editor is standing in the center between two individuals. Seating in the front row from the left to right are Concepción Vanegas Rubí, Carmen Rubí, and Julia Vanegas Rubí.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo, andanzas de un editor popular (1880-1901) By Jaddiel Díaz Frene, Ángel Cedeño Vanegas
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: "Vaya un torito embolado que al comercio ha revolcado."
a broadsheet with a poem about a drunk bull who apparently attacked several people in the market.
Photo-relief, woodcut, wood engraving and letterpress on beige paper (30 × 20 cm).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: La Calavera infernal. A broadsheet.
The most recurrent theme in his prints, the Calavera (skull), was probably invented by his contemporary Manuel Manilla, but Posada popularized it as a national icon (Source: https://www.moma.org/collection/works/69392).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Title: Antonio Vanegas Arroyo : un editor extraordinario / Mariana Masera (coordinadora).
Published Ciudad de México : Universidad Nacional Autónoma de México, 2017.
Main (Gardner) Stacks
Z493.V36 A58 2017
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada : illustrator of chapbooks
Author: Mercurio López Casillas; José Guadalupe Posada
Publisher: Mexico City : Editorial RM, 2005.
Main (Gardner) Stacks
NE546.P6 A4 2005
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: Manuel Alfonso Manilla (Mexican, Mexico City, ca. 1830 – 1895, Mexico City),
A booklet cover, ca. 1885
10 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manuel Alfonso Manilla, ca. 1830 – 1895.
Antonio Vanegas Arroyo (1850–1917, Mexican) printer.
Antonio Vanegas Arroyo was born in Puebla, Mexico around 1850; in 1867 he moved to Mexico City; he later established a printing house, and before the turn of the century issued a series of small theatrical works which were put in his Galería de Teatro Infantil; some of his publications had the advantage of being illustrated by José Guadalupe Posada; between them they produced Perico el incorregible, Casa de vecindad and Celos de negro con don Folías ; Vanegas Arroyo published the journals La gaceta callejera, El boletín, El jicote, El teatro, El centavo perdido, and others; he also published the Secretario de los amantes ; he died on March 14, 1917, in Mexico City( Source:http://snaccooperative.org/ark:/99166/w6wq0k1m).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Legends--Mexico--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Ca.1900
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
"The great cartoonist Posada lived through the Porfiriato years and brought a popular message to the mass of citizens who lived so miserably under the Díaz dictatorship. Although best-known for his Calavera images of whimsical skeletons, Posada lived through the early years of the Revolution and his hojas sueltas or broadsides captured much of the activity of the period: corridos to celebrate heroes and battles, or calaveras to satirize unpopular characters.
In this patriotic imagen tricolor, Posada brings back Independence to its true beginning, the 16th of September. Porfirio Diaz had merged independence celebrations with his own birthday on September 15th. Ironically, the Revolution did not do away with this Porfiriato tradition. To this day, Grito festivities, still take place on the eve of September the 16th (source: http://web.stanford.edu/~c0y0t8/celebratemexico/vivael16.html)
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Author: Frias, Heriberto, 1870-1925.
In 1900 the Maucci Brothers, a Spanish publisher, commissioned Posada to illustrate a series of pamphlets for children on the history of Mexico. The cover illustrations are probably the only mechanically produced chromolithographs that Posada ever did.
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Biblioteca del Niño Mexicano
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Writer: Frias, Heriberto, 1870-1925
Biblioteca Del Niño Mexicano, a series of patriotic tales and episodes by Heriberto Frias.
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del niño mexicano. Segunda serie, ubrimientos y conquistas
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Mexico--History--Conquest, 1519-1540--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Cortés, Hernán 1485-1547--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Emperor of Mexico Ahuízotl active 1486-1503--Juvenile literature
Tezcatlipoca (Aztec deity)--Juvenile literature
Aztecs--Rites and ceremonies--Juvenile literature
Aztecs--Religion--Juvenile literature
Mexico--History--To 1519--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Heriberto Frías was the author of Biblioteca del Niño Mexicano that was illustrated by José Guadalupe Posada.
Periodista y novelista mexicano, nacido en Querétaro (1870) y fallecido en Tizapán (1925). Entró al servicio de las armas en el IX Batallón con el grado de subteniente de infantería (1889), siendo ascendido a teniente (1892) y participando en la misión de sofocar la rebelión de los indios tomochitecos. Los acontecimientos vividos le impresionaron homdamente, por lo que escribió una serie de artículos que se publicaron en el periódico El Demócrata entre 1893 y 1895. Estos artículos se recogieron en su novela Tomochic y le originaron un proceso que pudo haberle costado la vida. Ya de baja en el ejército, se dedicó por completo al periodismo. Escribió en El mundo ilustrado (1896), El combate (1896-98), El Correo de la Tarde (1906). Dirigió diversas publicaciones (El Correo de la Tarde, La Voz de Sonora). En tiempos de Obregón, desempeñó durante tres años (1921-1923) el cargo de cónsul de México en Cádiz. Volvió a México en 1923, casi ciego pero a punto de terminar su novela El Diluvio mexicano . No pudo finazlizarla, pues la muerte le sorprendió en Tizapán. Es autor de novelas de tono social: El último duelo (1896), El amor de la sirenas (1908), ¿Águila o sol? (1923); de leyendas (Leyendas históricas mexicanas, 1899) y de obras históricas (La intervención americana).
Source: http://www.mcnbiografias.com/app-bio/do/show?key=frias-heriberto
The photo's citation: Sistema nacional de fonotecas, num.de.inv. 30938, ca. 1915.
José Guadalupe Posada (Mexican, 1851–1913)
Photo-relief and letterpress on tan paper
Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Cortés, Hernán 1485-1547--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Faced with an Aztec revolt against their rule, forces under the Spanish conquistador Hernan Cortes fight their way out of Tenochtitlan at the heavy cost. Known to the Spanish as La Noche Triste, or “the Night of Sadness,” many soldiers drowned in Lake Texcoco when the vessel carrying them and Aztec treasures hoarded by CortÝs sank. Montezuma II, the Aztec emperor who had become merely a subject of Cortes in the previous year, was also killed during the struggle; by the Aztecs or the Spanish, it is not known.
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
La modernidad en la Biblioteca del niño mexicano : Posada, Frías y Maucci
Author: Helia Emma Bonilla Reyna; Marie Lecouvey
Publisher: México, D.F. : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 2015.
"The book is one of the first studies on a collection as publishing, literary and graphic product. It presents the saga of the Maucci Brothers, their alliances and ruptures, their work in the promotion of books. It displays the ideology assumed by (Heriberto) Frias, who combines chronicle and fantasy to arouse patriotism among young readers. It reveals the role of (José Guadalupe) Posada as an illustrator of the collection and its relationship with the printing industry of the time." (Our translation) --Verso cover.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Biblioteca del Niño Mexicano
Publishers: Maucci Hermanos .
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Casas, Bartolomé de las 1484-1566
II, Emperor of Mexico Montezuma approximately 1480-1520
Cortés, Hernán 1485-1547
Indians, Treatment of
America--Discovery and exploration--Spanish
Bartolomé de las Casas; c. 1484 – 18 July 1566) was a 16th-century Spanish colonist who acted as a historian and social reformer before becoming a Dominican friar. He was appointed as the first resident Bishop of Chiapas, and the first officially appointed "Protector of the Indians". His extensive writings, the most famous being A Short Account of the Destruction of the Indies and Historia de Las Indias, chronicle the first decades of colonization of the West Indies. He described the atrocities committed by the colonizers against the indigenous peoples (source: wikipedia).
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano.
José María Teclo Morelos Pérez y Pavón was a Mexican Roman Catholic priest and revolutionary rebel leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo y Costilla in 1811.
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
This title was printed ca. 1900.
Emperor of Mexico Cuauhtemoc 1495?-1525--Assassination--Juvenile literature
Cortés, Hernán 1485-1547--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Legends--Mexico--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Legends--Mexico--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Cortés, Hernán 1485-1547--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Coyoacán (Mexico)--History--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Mina, Francisco Javier 1789-1817
Hidalgo y Costilla, Miguel 1753-1811
Mexico--History--Wars of Independence, 1810-1821--Juvenile literature
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
The war of 1846-1848 between the United States and Mexico resulted in the disastrous loss of Mexican territories. It was a tragedy for Mexico of unprecedented proportions.
Mexican War, 1846-1848--Juvenile literature
Taylor, Zachary 1784-1850--Juvenile literature
Scott, Winfield 1786-1866--Juvenile literature
Santa Anna, Antonio López de 1794?-1876--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Biblioteca del Niño Mexicano
Chromolithograph on cover designed by Jose´ Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Mexico--History--Conquest, 1519-1540--Juvenile literature
II, Emperor of Mexico Montezuma approximately 1480-1520--Juvenile literature
Cortés, Hernán 1485-1547--Juvenile literature
Catholic Church--Mexico--Juvenile literature
Mexico--Church history--16th century--Juvenile literature
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
This Posada print, "The León Flood," is the cover image for a collection of modern songs. Type-metal engraving. Signed.
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Cancionero.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
This is an artistic catalog of the most representative work 20 years of the outstanding graphic by Sergio Sánchez Santamaría.
Artist: Sánchez Santamaría, Sergio, 1976-
Subjects
Sánchez Santamaría, Sergio, -- 1976-
Linoleum block-printing, Mexican -- 20th century.
Linoleum block-printing, Mexican -- 21st century.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual li
A linocut portrait of Zapata.
Artist: Sánchez Santamaría, Sergio, 1976-
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
A linocut of image by the artist was included in his book.
Sergio Sánchez Santamaría was born in Tlayacapan, Morelos, Mexico, in 1976. A muralist, illustrator, and printmaker, Sánchez Santamaría is the heir of the Taller de Gráfica Popular (TGP) print collective. Themes explored include Mexican traditional topics such as the Mexican Revolution, folktales, indigeneity and myth, urban and rural landscaping, Calaveras (social and political commentary), and the Day of the Dead. (Source: https://library.duke.edu/rubenstein/findingaids/sanchezsantamariasergio/).
Sánchez Santamaría, Sergio, -- 1976-
Linoleum block-printing, Mexican -- 20th century.
Linoleum block-printing, Mexican -- 21st century.
Artist: Sánchez Santamaría, Sergio, 1976-
Soldado (from the series 'Pesonajes de Morelos, Mexico)
Technique
linocut
Image Size
11 13/16 x 8 1/2" image
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
This chapbook is a children's story eight pages long.
For "The fortunate child" there are three illustrations: a boy encountering a magician, a boy in a hot air balloon, and two men in a row boat--the text concerns a gifted adolescent who is put through different trials by a magician and a king. He is born with the gift of invincibility because he was born on his feet. He overcomes obstacles and impossible situations. He arrives at a palace in a balloon after his trials and gains the hand of a princess and great riches. (Source: http://www.loc.gov/pictures/item/99615875/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
This is the panel 1 of 3 that was created for this exhibition.
In the pantheon of the late nineteenth- and early twentieth-century artists who represent Mexico and Mexican art, the artwork of José Guadalupe Posada stands out as a bright constellation that continues to shine the light on important stories through woodcuts, imprints, and engravings. He was born on February 2, 1852, in Aguascalientes.
Posada joined the publishing house of Antonio Vanegas Arroyo in 1888 as an illustrator and engraver. There he met Manuel Alfonso Manilla (1830-95), and, until 1899, the two men shared engraving duties. They worked so closely together that some works are hard to attribute definitively to one artist or the other. Posada worked on images that appeared in newspapers and continued to create woodcut images, with subjects ranging from news to religion. Posada also used the imagery of skulls. The skull, or la Calavera, was adopted by the artist to illustrate the hybridity of Mexican culture. It is thought that Posada was responsible for images published in over fifty Mexico City-based periodicals, some of which are held by The Bancroft Library.
There were a limited amount of postcards printed to celebrate the launch of this exhibition. The images on this postcard came from the Library of Congress.
Posada illustrated many small booklets, typically less than twenty pages long and measuring roughly nine centimeters by twelve centimeters. These small publications are known in English as chapbooks; in Spanish, they are known as Cuadernos. The chapbooks covered a variety of subjects including recipes, short stories, songs, and plays. Front covers usually were illustrated with an image related to the content of the chapbook.
Between 1899 and 1901, Posada illustrated for the Biblioteca del Niño Mexicano series — Posada’s only series that appeared in full color. There were a total of 110 chapbook-sized booklets printed. The booklets, written by Heriberto Frías, tell the history of Mexico through short fablelike stories that include Moctezuma and Aztec society before the arrival of the Spanish; the Spanish conquest and the role of the Catholic Church; and the struggle for Mexican independence.
Several contemporary artists have continued the tradition of printmaking in Mexico. Here, the curator would like to focus on two artists who due to their distinct life experiences are continuing to influence the future artists to come through their artistic creations. I chose for this exhibition some works of the following artists, Artemio Rodriguez of La Mano Press and Sergio Sánchez Santamaría, whose work is inspired by the last generation of the artists from the Taller Grafica Popular (TGP) co-founder Leopoldo Méndez (1902-1969).
The cover of the book- American Dream by Artemio Rodriguez. The second edition of this acclaimed monograph reproduces more than 200 of his intricate black-and-white linoleum prints and drawings.
RM Verlag, S.L, 2013. Print.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries.
The image may be subject to copyright.
This book was used for the exhibition.
Source: http://oskicat.berkeley.edu/record=b24726250~S1
Author/Editor: Mercurio López Casillas.
México: Editorial RM, 2013.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries.
The image may be subject to copyright.
Source: http://oskicat.berkeley.edu/record=b20591022~S30
Artemio Rodriguez was born in Tacambaro, Michoacan Mexico in 1972. He began by studying agronomy at the Universidad Autonomo Chapingo and was later introduced to art when he apprenticed and learned letterpress printing from Juan Pasco, a master printmaker working out of the Taller San Martin Pescador near Rodriguez’s hometown. (source: Davidson Galleries).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.